writing


Random quote of the day:

 

“For me it is torture when I finish a novel.  The good time is when I’m writing.  When I am finished it’s no more fun.”

—Umberto Eco, “Book Notes,” The New York Times, July 12, 1995

 

 


Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Random quote of the day:

 

“One writes out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.”

—James Baldwin, “Autobiographical Notes,” Collected Essays

 

 

Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

I’ve started several blogs over the past weeks, even got quite far on some of them, but then I’ll get interrupted, or the tone is somehow off and I need to think some more, or yet another Life Thing comes up and I don’t get them posted.  So instead I’m posting a list of titles.  Heighth of laziness, yes I know, yadda yadda.  Some of these may get finished some day, but the wackyosity that is my life these days doesn’t allow me to predict when.

 

  • When is an instinct an instinct and when is it a kangaroo?
  • The League of Anti-Whining Enforcement
  • Journey around my room – The Ice Blue Madonna
  • Momentary angels
  • For Zilznia in her big, comfy chair
  • No-Code me, please
  • Love, and other fragile-enduring things
  • Poll: How do you eat your muffins? (no sexual pun intended)
  • Book review: The Yiddish Policemen’s Union
  • Oh right, this is a novel not a novella
  • Jung and the active imagination

Random quote of the day:

 

“Every book is a purge. At the end of it one is empty…like a dry shell on the beach, waiting for the tide to come in.”

—Daphne Du Maurier, National Geographic, Vol. 120, December 1961

 

 


Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Random quote of the day:

 

“Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will nonetheless get something that looks remarkably like it.”

—Jack London, “Getting Into Print,” in Practical Authorship, ed. James Knapp Reeve, 1905

This quote is often paraphrased as, “You can’t wait for inspiration. You have to go after it with a club.”

 

 


Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

So, here I am reading a book I’m enjoying immensely. I come upon a chapter in which the writer does something that I know, positively, I have told some young writers in my capacity as a critiquer to never do—switching POV late in a book to one not encountered before. Hey, I’ve been told not to do that myself. The thing is, it works perfectly in this book. As a reader coming upon that shift, I could give a hairy pontiff’s left ear whether the writer has changed POV. I want the information it can give me, I want to know what happens next. And in that moment of realization a great crap paper tide of old critiques fluttered behind me and a voice called across the abyss as it filled with the perfidy of my Writing Thoughts, It doesn’t really matter what you’re supposed to do. The only thing that matters is if you can make what you do work.

Not the first time I’ve had that thought, but it came home especially strong to me today. It may have something to do with rereading one of my older novels—a shuddering experience if ever there is one.

Experience. That’s the key word. The perfidy mentioned above is all about the difference between critiques based on experience (and maybe instinct) and those based on regurgitation. “The Rules” only matter if the story doesn’t work. And here’s the other thing, even if a beta reader or critquer or critic says the story doesn’t work, it still might not matter. That “doesn’t work” can be a question of individual taste, or prejudice, or the sour feeling left in the reader’s stomach by the cafeteria food. If your own gut—not the one turning sour—tells you that something is right, you need to stick by it.

I’m not saying we writers have a magic I’m A Genius Don’t Bother Me With Your Tiny Opinions card. No. If enough people tell you that something isn’t working, you should probably pay attention to that. Be very sure that your gut is talking, telling you a thing is right, and not some fractured corner of your ego.

And even as I’m typing that last paragraph, I’m thinking “Regurgitated Wisdom.” (Because, really, haven’t you heard the one about “if enough people” ad nauseam?) In this case, it happens to be regurgitated with a side of experience, so maybe it’s not total bullshit. Maybe I do sort of know what I’m talking about in this particular instance, as opposed to some of the half-assed critiques I have offered up over the years.

But you never know. Reading my old stuff and realizing how deluded I was about the quality of that work has me stumbling through a funhouse of fractured and distorted opinion. What do I really know?

This is an existential question and has no real answer. The question is the black matter holding the universe together like invisible glue. It is self-contained and complete and needs no critique to make it whole. Sufficient unto the day is the question thereof.

The rules:


1. Go to page 77 (or 7th) of your current ms

2. Go to line 7

3. Copy down the next 7 lines – sentences or paragraphs – and post them as they’re written. No cheating.

The last time this was going around I was slowly, painfully working on Shivery Bones and I still am (sorry to say). I refuse to post the same excerpt, so I went back to the novel I was working on before that, Carmina. There’s no page 77, so here’s page 7. Carmina and Susan are speaking. Carmina is the one speaking that first line.

“Do you realize how rare it is for anyone to confront their own demons?”

“No. I confronted mine, and Jeremy confronted his, but I can’t speak for anyone else.”

“I can.” All humor drained from her voice and face. “I don’t just make them see and feel what they’d rather not when I sing, you know. I see and feel it along with them.”

“How awful!” Susan had been an empath all her life, buffeted by the unguarded emotions of others, and sometimes their thoughts. “Why do you keep singing?”

Carmina’s vivid eyes grew bleak, her face exhausted. “I can’t help myself, darling. I am compelled whether I wish it or not.”

Random quote of the day:

 

“Fiction is the craft of telling truth through lies.”

—Lauren Groff, Author’s Note, The Monsters of Templeton

 

 


Disclaimer:  The views expressed in this random quote of the day do not necessarily reflect the views of the poster, her immediate family, Siegfried and Roy, Leonard Maltin, or the Mormon Tabernacle Choir. They do, however, sometimes reflect the views of the Cottingley Fairies.

Two of my friends released ebooks at virtually the same time and I’ve been meaning to do a signal boost ever since. Here they are (listed alphabetically!):

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From Marshall’s Amazon page:

Six science fiction stories, including “Bullet” from End of an Aeon and “Sausages” from Talebones, which received an Honorable Mention from Gardner Dozois in his Year’s Best Science Fiction #27.

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From Lila’s Amazon page:

Taken … and no one knows where…

This novel is inspired by the true events of a slave ship that disappeared off the west coast of Africa during an era of human savagery and ruthlessness. The year was 2001.

Kerri Mansfield and her family have a tangled history of colonization and aid — not just to one nation, but to all of Africa it seems. When the slave ship, Etireno, goes missing, Kerri is one of the few people who knows where to look. One of the few people with the contacts and resources needed to find it. But she must hurry because the children on board weren’t taken by chance. It’s revenge in its ugliest form.

She isn’t the only one searching either, oh no, that would be too easy and life is rarely that. The French Secret Service are also after the children and they’ve sent their best agent to find them … Kerri’s ex-husband. Even better is that he’s teamed up with her current boyfriend, just to make it all a little more interesting.

Tracking the ship to a Brazilian port two weeks before Carnaval should be the end of the story, instead it’s just beginning. The children have vanished and as Kerri’s leads dry up she begins to take risks that put others in jeopardy.

Oh, and did I mention the ex-husband?

Dear Sir:

Your blog giving advice on doing quality self-publishing is riddled with careless typos. This does not inspire confidence. Yours, PJ

Dear Madam:

Your failure to distinguish between a Viking boat & a pirate ship when discussing cover art does not inspire confidence. Yours, PJ

Dear Madam:

Your blithe suggestions on how to squeeze more time out of a busy life for writing has PRIVILEGE scrawled all over it. No confidence. Yours, PJ

And that’s about all the writing/indy publishing blogging advice I can stomach for one day. Why did I inflict this upon myself in the first place? Clearly, I’m a masochist. Oh, I think maybe I’ll learn something that will revolutionize my life, get my creative life back on track and running smoothly. But no. There isn’t anything in any of these blogs that couldn’t be figured out by a half-witted horse with dyspepsia.

They are all written with such twerpy exuberance, too—the exuberance of those who have spent little time in the salt mines, whose biggest challenge in life balance seems to be choosing between watching TV with the wubs vs. social networking vs. actual writing.

I try hard not to think in terms of moral superiority—my reality vs. your networking reality—because as the old saying goes, “Everyone’s bag of stones weighs heavy to them.” But there’s generally an undertone of moral superiority running through these blogs, too. Sometimes not an undertone, but an overt and snot-nosed tone, if you want to know the truth. It’s hard not to get all morally-superioritying back at them.

Yet still these blogs are passed back and forth between hopefuls as if there’s some talismanic magic attached to them. The sad truth is that most seem more about having a platform for selling books than genuinely trying to help anyone. But I open each new one with hope, cynicism firmly suppressed because…well, I would like a little talismanic magic right about now. Maybe there will be some golden piece of wisdom my gassy, half-witted horse hasn’t already shared with me.

You see, I really am a masochist. Bring on the leather, the whips and chains!

ETA: There is actually quite a bit of really good advice out there, too, but wading through the self-involved claptrap to get to it can be quite discouraging.

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